M&G NSW: Basics of touring an exhibition
Thinking about touring an exhibition? This M&G NSW resource addresses the basics to consider before your show goes on the road.
There are several different kinds of condition reports and many sorts of condition reporting forms. This guide outlines the essentials of creating a thorough and accurate report.
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This NAVA Toolkit offers ‘How to’ Educator and Classroom Guides for teaching and applying the Code of Practice in the classroom, with content and learning outcomes linked to curriculums and syllabuses for all Australian states and territories.
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Arts Law has put together answers to some of the most common questions they’ve received from artists and arts organisations about showing works online and […]
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Thinking about loaning works for a touring exhibition but don’t know where to start? This handy guide from The Exhibitions Group (UK) examines how borrowing from museums, galleries and arts organisations can be very different from borrowing from private lenders, artists and dealers.
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As part of the Working Internationally Regional Project (WIRP) and the Supporting International Engagement Project, ICOM UK and the British Council commissioned and developed a template international touring exhibitions agreement after research showed that one of the key issues for museums undertaking international touring exhibitions is the contractual aspect. This template agreement with guidance notes was produced in response to this demand.
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Looking for contract templates for different aspects of your touring project? Arts Law’s contract templates help artists and businesses build good legal contracts so everyone is on the same page. Each contract template includes a How to Guide and has example clauses you can edit to suit your situation.
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Wondering where to start with planning for cashflow and expenditure? This handy worksheet and financial planning guide from The Exhibitions Group (UK) will assist with budgeting and financial planning two things that are key to the success of a touring exhibition, particularly because expenditure and income are likely to straddle a number of financial years.
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This resource from The Exhibitions Group (UK) looks at what areas to consider when weighing up the most sustainable and economically advantageous approach before, during and after touring an exhibition.
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A practical resource from The Exhibitions Group (UK), created in collaboration with the Design Museum and Art Fund, to help guide you through how to reduce the environmental impact of exhibitions, loans and tours. While initially tailored to UK organisations involved in touring exhibitions, the guidance can be adapted for a range of project types.
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Accidents can happen when you operate a business or conduct your creative activity. It is important you understand your ‘liability’ or legal responsibility to compensate for damage or injury to people and property. This information sheet by Arts Law explains liability, risk management and insurance.
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Risk Management planning helps you detail and mitigate any potential risks that might arise through the development and implementation of a project/event or the running of an organisation. Use this handy fact sheet designed by NAVA to assist with and guide your planning processes.
Showing and touring work connects artists with communities and audiences, enhances gallery programming and amplifies and celebrates investments in artists’ work. This section covers good […]
A non-exhaustive overview of suggested best practice for art spaces, ranging from artist run initiatives to larger institutes, when working with trans, non-binary and gender diverse creatives.
Access and EquityCurating the ExhibitionEducation and Learning
NETS Victoria collaborated with the Public Galleries Association of Victoria (PGAV) to present the 2020 Curatorial Intensive, a free series of one-hour webinars. The program provided a platform for curators, artists and writers to share their experiences and knowledge with one another through a live Q+A forum.
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Use The Exhibitions Group (UK) interactive Decision tree to build your own touring strategy. Define your aims and objectives, consider the resources you have or need, take into account sector influencing factors, decide on your economic and production models for touring to create a strategy for your touring exhibition or program.
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Creative Australia’s Protocols for using First Nations Intellectual and Cultural Property in the Arts provide a pathway for collaborations and creation of new Indigenous work, educating readers and users on Indigenous Australian cultural heritage and encouraging meaningful collaborations with First Nations artists and creators.
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This Renconcilliation Australia RAP Action Plan is a resource that promotes practices around using respectful and inclusive language and terminology as an essential component of reconciliation.
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Reconciliation Action Plans (RAPs) enable organisations to sustainably and strategically take meaningful action to advance reconciliation. Based around the core pillars of relationships, respect and opportunities, RAPs provide tangible and substantive benefits for Aboriginal and Torres Strait Islander peoples, increasing economic equity and supporting First Nations self-determination.
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The True Tracks® method, developed by Dr Terri Janke and company, is a unique professional development workshop to enhance Indigenous engagement and increase understanding of Indigenous Cultural and Intellectual Property (ICIP), or Indigenous cultural heritage.
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Access free curriculum and teaching resources developed by AIATSIS that are aligned to Version 9 of the Australian Curriculum and are centered around cultural safety.
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Developed by AIATSIS, Core is an innovative online course developed to strengthen your organisation’s cultural capability. It's designed to be informative, interactive and to create a greater awareness of the vast history and cultural heritage of Aboriginal and Torres Strait Islander peoples.
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Research project Precarious Movements is a free resource focusing on choreographic work in the context of museums, addressing how we can better serve artists in this context. The prompts and suggestions in this resource can also be applied to the broader arts community and practices.
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Not sure where to start with exhibition labels? Here’s a guide on what to include, how to order the information and how to strategically place labels in exhibitions.
An exhibition toolkit developed by 2010 Legacies Now taking you through the entire curatorial process from research to installation.
Producing touring exhibitions can be time consuming and expensive. This resource from The Exhibitions Group (UK) provides lots of practical points and professional advice to get you started developing your touring exhibition.
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The Exhibitions Group (UK) resource that sets out a series of checklists to assist with developing the viability of your tour from the initial stages of exhibition planning.
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Developed by the United Nations, the Declaration is the most comprehensive international instrument on the rights of indigenous peoples, establishing a universal framework of minimum standards for the survival, dignity and well-being of the Indigenous peoples of the world.
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Thinking about touring an exhibition? This M&G NSW resource addresses the basics to consider before your show goes on the road.
Not sure how to start adopting more sustainable practices when working on exhibitions? For many of us, especially when working in collaboration with stakeholders on a complex touring exhibition it can feel daunting, so Art Fund (UK) have created a new toolkit to help you providing guidance on reducing environmental impact and embedding sustainability across touring exhibitions.
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Create NSW has developed the Aboriginal Arts and Cultural Protocols resources to give guidance and direction to the broader sector in the right way to work and do business with Aboriginal people and communities.
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Developed by The Exhibitions Group (UK) their Exhibition Makers’ Toolkit is the sector’s online guide to exhibition making. Whether you’re creating, organising or managing temporary or touring exhibitions, or organising and managing object loans, each chapter provides practical and professional advice, with links to relevant case studies.
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An M&G NSW guide to selecting and using media players and projection systems in museum and gallery settings. Covers key considerations such as compatibility, file formats, and reliable playback to ensure seamless digital exhibition delivery.
NAVA's Code of Practice for Visual Arts, Craft and Design covers good practice approaches to working relationships, ethical standards for access and inclusion, and payment rates for artists and arts workers.
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