M&G NSW: Basics of touring an exhibition
Thinking about touring an exhibition? This M&G NSW resource addresses the basics to consider before your show goes on the road.
Use The Exhibitions Group (UK) interactive Decision tree to build your own touring strategy. Define your aims and objectives, consider the resources you have or need, take into account sector influencing factors, decide on your economic and production models for touring to create a strategy for your touring exhibition or program.
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NETS Victoria collaborated with the Public Galleries Association of Victoria (PGAV) to present the 2020 Curatorial Intensive, a free series of one-hour webinars. The program provided a platform for curators, artists and writers to share their experiences and knowledge with one another through a live Q+A forum.
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Risk Management planning helps you detail and mitigate any potential risks that might arise through the development and implementation of a project/event or the running of an organisation. Use this handy fact sheet designed by NAVA to assist with and guide your planning processes.
Accidents can happen when you operate a business or conduct your creative activity. It is important you understand your ‘liability’ or legal responsibility to compensate for damage or injury to people and property. This information sheet by Arts Law explains liability, risk management and insurance.
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As part of the Working Internationally Regional Project (WIRP) and the Supporting International Engagement Project, ICOM UK and the British Council commissioned and developed a template international touring exhibitions agreement after research showed that one of the key issues for museums undertaking international touring exhibitions is the contractual aspect. This template agreement with guidance notes was produced in response to this demand.
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Thinking about loaning works for a touring exhibition but don’t know where to start? This handy guide from The Exhibitions Group (UK) examines how borrowing from museums, galleries and arts organisations can be very different from borrowing from private lenders, artists and dealers.
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There are several different kinds of condition reports and many sorts of condition reporting forms. This guide outlines the essentials of creating a thorough and accurate report.
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Research project Precarious Movements is a free resource focusing on choreographic work in the context of museums, addressing how we can better serve artists in this context. The prompts and suggestions in this resource can also be applied to the broader arts community and practices.
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Not sure where to start with exhibition labels? Here’s a guide on what to include, how to order the information and how to strategically place labels in exhibitions.
An exhibition toolkit developed by 2010 Legacies Now taking you through the entire curatorial process from research to installation.
Producing touring exhibitions can be time consuming and expensive. This resource from The Exhibitions Group (UK) provides lots of practical points and professional advice to get you started developing your touring exhibition.
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The Exhibitions Group (UK) resource that sets out a series of checklists to assist with developing the viability of your tour from the initial stages of exhibition planning.
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Thinking about touring an exhibition? This M&G NSW resource addresses the basics to consider before your show goes on the road.
Developed by The Exhibitions Group (UK) their Exhibition Makers’ Toolkit is the sector’s online guide to exhibition making. Whether you’re creating, organising or managing temporary or touring exhibitions, or organising and managing object loans, each chapter provides practical and professional advice, with links to relevant case studies.
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An M&G NSW guide to selecting and using media players and projection systems in museum and gallery settings. Covers key considerations such as compatibility, file formats, and reliable playback to ensure seamless digital exhibition delivery.
NAVA's Code of Practice for Visual Arts, Craft and Design covers good practice approaches to working relationships, ethical standards for access and inclusion, and payment rates for artists and arts workers.
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